For Halloween, I’ve written a Checklist for Edge Effects presenting creature features that illustrate key elements of ecohorror. Lots of fun and scary movies to watch!

Frogs (1972) movie poster.
For Halloween, I’ve written a Checklist for Edge Effects presenting creature features that illustrate key elements of ecohorror. Lots of fun and scary movies to watch!
Frogs (1972) movie poster.
Horror and science fiction have long featured the return of the prehistoric, the monstrous past coming back to intrude upon the present and thereby shape the future. Jurassic Park is perhaps the most obvious instance of this return of the prehistoric (thanks to human meddling), but the prehistoric also rises up from the depths of the oceans, is triggered by radiation, or is revealed by the events of climate change.
In “How Death Became Natural” (1960), Loren Eiseley describes the human relationship to the geologic and evolutionary past, writing that “we are linked forever to lost beaches whose sands have long since hardened into stone” (164), and speculative narratives about returning prehistoric creatures emphasize this link, bringing the past into our present and possibly into our future. However, Eiseley also writes that there is “[o]ne thing alone life does not appear to do; it never brings back the past” (165). What then does our speculative, fictionalized insistence on bringing back the past say about our present concerns?
This roundtable seeks to explore the significance of such prehistoric returns during the Anthropocene. How are modern, Anthropocenic fears reflected in such prehistoric creatures? What does the return of the prehistoric indicate about our contemporary anxieties about extinction or about the role of the human in the global ecosystem? And, finally, how does this return – typically figured as a threat – potentially shape our steps into the future?